Science and religion have historically been seen as distinct realms. One tries to unravel the world through measurement, calculation and evidence; the other offers an understanding of existential and ethical questions. Both realms have been manipulated and merged in order to maintain the beliefs of cults and mysticist groups. Religion is used to provide a sense of meaning, belonging and justification through a higher power, whereas science or pseudo-science offers legitimacy and a rational explanation.

How is media utilized in occult practice, and how does the intersection of science, religion, and mysticism materialise?

"La Croix Sonore" (1929) is an instrument invented by Nikolai Obukhov, a Russian composer and member of the mystic order 'Slaon de la Rose + Croix‘ which was active during the 1920s in Paris. It was a cross-shaped, Theremin-like Instrument which he used in composition, accompanying a classical ensemble. His work was strongly rooted in mysticism and religious beliefs. He saw Music as a transformative power. A transcendent bridge to the world of spirit rather than just an artistic and aesthetic creation.

The Vocalis was intended to be used in this performance. The instrument consisted of a headpiece and microphone. The headpiece and microphone supposedly captured and amplified the earth’s magnetic field, influencing the performer's mind and leading them to embody the ‚ earth's voice in this orchestration. I found and obtained archival material containing blueprints and writings for the element from the Accueil Musee - Collections du Musée de la Musique in Paris.