Laura Posada

"The Murmurs of the Thames"

Section MS13, Maria Monterro Sierra

Keywords: moving-image, nature, water, environment, pollution, sound-music

The Thames River has been significant in various ways to the city of London and the whole world. It has held major historical events such as the Battle of the Thames, has served as a medium of commerce and trade, and has been an indicator of climate change. It holds immense symbolic power in various ways but has unfortunately also suffered from neglect from the city’s inhabitants being declared biologically dead in 1957.1 This project dives deeper into this water through a study to give a voice to this forgotten element while serving as a commentary on the negative impact we as humans have created upon ecosystems in the environment. It reflects on this more than human element, and how through it, we obtain life, see movement, and see the world in motion.2

Inspired by Pauline Oliveros’ practice of deep listening and the book Material Witness, "The Murmurs of the Thames" explores the Thames River as a living medium and active witness. This video work draws the viewer’s attention to this element by amplifying the sounds and movements of water. This reveals the river’s role in communicating stories about pollution, climate change, and urban life. By alternating between expansive views of the river and detailed close-ups of individual water droplets, the video captures the rhythm and dialogue of water in motion. The work amplifies the presence of the river, giving it a voice to express its ecological and cultural narratives. The work critiques human neglect of ecosystems while celebrating the resilience and role of the Thames, urging viewers to engage with the more-than-human world and reflect on their connection to it to raise awareness of this important element of the city of London. This work seeks to generate a reflective dialogue between the viewer and the river, encouraging a deeper connection to the more-than-human world.


  1. John Bostock, On the Spontaneous Purification of Thames Water: Philosophical Transactions of the Royal Society of London 119 (London, 1829), p. 287–90. 

  2. Suzan Schuppli, Material Witness: Media, Forensics, Evidence (Cambridge, MA: MIT Press, 2020).