My interest in the Arirang card trick lies in its role as a political propaganda tool and its influence on social mobilization. This performance transcends art, serving as a crucial means for the Workers' Party of Korea to reinforce its regime and shape national identity. Through the synchronized movements of thousands of participants, the Arirang performance vividly showcases North Korean leaders, celebrates the party's achievements, and fosters patriotism and unity.

In China, propaganda media also play a key role in mass mobilization and social control. By examining the organizational model behind North Korea's Arirang card trick, I aim to better understand how art and visual symbols are leveraged for political purposes. This study may offer insights into similar practices in Chinese cultural and political contexts.

Through this video, I hope to convey the relationship between the individual and the collective in the Arirang card trick, show how the individual is integrated into a highly organized performance, and reveal the characteristics of the individual obeying the collective in the North Korean political system. The video not only presents the visual shock of the card trick, but also reveals its suppression of individual freedom, triggering the audience's reflection and discussion on the relationship between the individual, the collective and politics.