Coined by Jennifer Allen in 2010, the term ASMR (Autonomous Sensory Meridian Response) has evolved into a popular form of digital therapy and entertainment over the last decade. ASMR is described as an immersive and calming feeling that generates a tingling sensation often experienced on the skin, especially the scalp and the back of the neck. This behaviour is in response to specific auditory or visual triggers. Widely used for stress relief and improved sleep, ASMR has become a lucrative source of income for online creators who accumulate a substantial number of viewers and followers through monetisation on various media platforms.

However, the contrasting effects of sound frequencies must be considered. While ASMR and healing frequencies are associated with relaxation and well-being, high-intensity sound frequencies can have the opposite effect, such as those used for crowd control and detention centres. Law enforcement and security personnel utilise high-decibel sound devices, known as LRADs (Long-Range Acoustic Devices), to disperse crowds or deter individuals engaging in unlawful activities.

My project delves into highlighting the satirical potential of utilising sounds and frequencies. Employing ASMR as a creative medium, I aim to present illustrations from a fictional handbook, designed to be used as a guide for monitoring users of the space. By examining the illustrations closely, it becomes apparent that there are contrasting prompts, selected objects, captions, and descriptions. This intentional contradiction underscores the stark juxtaposition between the positive and negative applications of sound and frequency.