experiments in seeing slippery seeing

In the moment of taking a "shot" the photographer has absolute power as author, but what if we remove him/her altogether and begin to turn the subjects)' gazes unto themselves?

In this spectacle of the slippery imaging of images, just as how the single image has been freed from the limits of finalism and finitude, so are the identities of its subjects) as they take control - in repeatedly distorting, diffracting, and multiplying their appearances across this latent space of manifold seeing.