"Women are always defined by their glands and womb," Beauvoir wrote in The Second Sex. This statement holds true for many women, who are expected to be complete when they give birth and get married.

In Indian society, women have been trapped by the boundaries set by the patriarchal system. Women are primarily expected to be caregivers, mothers, and homemakers. While societal pressure was more prominent in previous generations, and despite the equal educational opportunities available to both women and men now, there exists a perspective that suggests women should prioritise family over their careers based on their gender. In this media studies project, I draw inspiration from characters in Indian mythology, cinematic references, and insights shared by women in my community. Through the artistic instinct of the Kathak dance form, I aim to cultivate a unique vocabulary that narrates the collective story of women across generations, exploring their experiences with assumed responsibilities. Despite women sharing equal responsibilities in the workplace, there remains an unequal burden as homemakers. The non-linear narrative and dreamlike structure of my film contribute to its artistic and experimental nature, drawing inspiration from the evocative style of 'Looking for Langston.'

In the realm of dance, my inspiration stems from the innovative approach of artist Aditi Mangaldas, who skilfully merges classical and contemporary dance languages. Much like her seamless integration, my goal is to infuse the traditional Kathak dance form with a contemporary essence, creating a dynamic and expressive visual language through the footwork along with the traditional beats that mirrors the complexities of women's roles and responsibilities.